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Thanks PreSonus…

I’ve been DAW hopping for most of the year, and have written extensively about it. I’ve grown tired of Logic and it’s extremely slow development. It’s competition (Reaper, Cubase, etc) have all surpassed it with new features and workflow improvements. Add the colossal f–k up of the Final Cut X release, and my faith in Apple has been shaken. Logic users are now holding our collective breaths to see if Apple will butcher it in the same manner.

While waiting for Logic X to arrive, I began testing the waters of the competition, and I spent 6 solid months with Reaper during the Alpha and Beta test cycles. The truth? I like(d) it a lot. Reaper is a powerful program, but I find that, at times, it can get in the way of creativity, mostly because of it’s power and sheer number of choices. An oft written refrain on the Reaper forum is “I just want to make music and not code a program”.

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That brings me to Studio One. I was excited by it when it was released over a year ago. However, it was too limited at the time (no AU plug in support was huge for me), so I passed and took a “wait and see” position.

Thankfully, PreSonus dropped a bomb 2 weeks ago with version 2 of Studio One. The biggest selling point for me was the Melodyne integration. Melodyne is THE ultimate in pitch correction software. It will correct damn near anything without the dreaded T-Pain effect (unless, of course, that’s what you’re after).

I’ve been a Melodyne user for years, but I often reach for Auto Tune because, frankly, I’m lazy. Melodyne requires some work, and a small dose of music theory. In short, you can do more harm than good if you don’t know what you’re doing. The bigger Melodyne issue for me is with the plug-in itself. It runs “in tandem” with your DAW, making file management tricky. It’s easy to lose the pointers to your corrected files if you work with multiple drives.

To solve this issue, Celemony created the ARA protocol for Melodyne and partnered up with PreSonus. ARA provides internal two way communication between the plug in and the host. The bottom line is it’s now easier to use. If you’re not interested in S1, but want the Melodyne integration, fear not. The ARA protocol will appear in other hosts early next year. PreSonus is getting the head start.

As you can tell, I’m a bit excited about S1, and I’ve been test driving it a great deal. Yesterday, I decided to use it for voice over recording and audio sweetening on a commercial spot I shot recently. Let me say that the workflow for video post is well… awesome is the word I’d use… It’s much faster than Tools, Logic and Reaper.

In the screen shots above, I dropped a reference cut into S1. Imported the audio. Opened the Video window. Set a level on the FirePod and within seconds was recoding my VO. After some EQ and compression, I had it pushed back into Final Cut. I did the final mix in FCP, but next time I’ll mix the entire spot (music, VO, and sound effects) in S1 and print the final mix there.

It’s never been so easy… I haven’t even touched on the music aspects yet. I’m sold, and Apple had better bring the pain with Logic X, or I’m staying with S1.  I’ve already transferred some Logic songs to S1 to mix, and I like what I’m hearing.

As always, your mileage may vary…

  1. December 23, 2012 at 4:17 pm

    It’s really a nice and helpful piece of information. I’m glad that you simply shared this useful information
    with us. Please keep us informed like this. Thank you for sharing.

  2. May 31, 2013 at 11:08 pm

    Greetings! Very useful advice in this particular article!
    It’s the little changes that will make the most important changes. Many thanks for sharing!

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